Tap Tap Revenge’s fame is unparalleled. Just as Tap Tap Revenge brought on an onslaught of clones and apps similar that were trying to steal its limelight, so did other well known games such as Flight Control. DJ Mix Tour doesn’t fall into the category of being a Tap Tap Revenge clone, but more or less a variation of the popular franchise with its own sui generis aspects and high quality Gameloft flare.
Oxford is not only a strong name in language dictionaries; its influence extends heavily into reference titles that can be found online or at your local book shoppe in both hard and paper back editions. UK-based White Park Bay Software (WPB), have brought 11 pivotal references to the App Store. The set includes: Music, Law, Philosophy, Politics, Finance and Banking, Concise Medical, Computing, Chemistry, Business Management, Biology and Accounting. Each shares a similar GUI, navigation and content display system and work consistently with the iPhone design ethic, but at the high price of 14.99$ per app, is the content worth the cost?
The App Store has been gifted with many applications for musicians and aspiring DJs. While many of these apps have their positives and negatives, they all lacked a pivotal use of the accelerometer. GravSynth, developed by KAYAC Inc., sets itself apart from all beat synthesizers in the respect that it doesn’t solely rely on different track pads and arbitrary sound effects. Heck, it only has one specific beat sound. While this may seem like it kills the longevity because it lacks variety, this is definitely not the case with GravSynth. Once you experiment with the magnitude of settings, and how crucial the accelerometer plays in the process, you soon realize what makes GravSynth unique.
Not mine. In fact I shuffle parts of my library very regularly so that my iPod Touch is never more than 1/3 full. Still, that is probably only 1000 songs at a maximum. However, if technology will have its way (and it will), the next next next next iPod could carry millions of songs. How will this be accomplished? Well, let me remind you about a great feature called digital compression. It has been around since the dawn of mathematics, but only in the last 30 or so years, been applied to music. In fact, the world’s de facto audio standard, the Redbook CD is compressed at 16 bits and 44.1 kHz.
GravSynth is an exciting musical app which bends synth music DJ-style in the palm of your hand. Perhaps, it would be more appropriate to describe it rather, as an instrument. It uses the forces of gravity, touch input and your unerring creativity to produce music.
Tokyo-based Kayac have been producing mobile apps for different platforms, but GravSynth is their first App Store release. Among their many mottos is what could roughly be translated as ‘continual production’ (つくり続ける) which shows in their unswerving dedication to production and continual new ideas.
Take a look at their marketing literature, photos and a demonstration of GravSynth in action after the jump
If you know me personally (which I doubt), or you’ve happened to read my review of Guitarist- then you’d know what a guitar aficionado I am. You’d also know how few guitar simulator applications there are in the App Store that are even worth mentioning and which truly succeed at what they do best – simulate an authentic guitar. At first glance, iShred, has incredible potential with its flashy loading screen in which the guitar flies out of the rocker’s hands and embraces the iDevice screen- entrusting you with its mighty power and awesomeness. By the first strum, you realize that iShred is a virtual guitar like no other – it is in fact the tool for ultimate guitar supremacy on an MP4 player scale.
If you’re a guitarist like myself, then you’ve probably scavenged every last morsel of the AppStore in hopes of finding a guitar app to quench your ceaseless thirst to rock out on your portable MP4 player. Well, my friends, the day has come where you can truly feel like a rockstar- and I’m not talking about Miley Cyrus’ song “I Might Even Be A Rockstar”. I’m referring to the almighty app known as Guitarist, by MooCowMusic.
Is it a game? Is it a toy? Is it even worth it? Is there a point to it? The website itself asks, “What the heck is RjDj?” This question is one that is difficult to answer, but necessary in understanding just what Reality Jockey Ltd. is seeking to achieve. While RjDj Shake may seek for high and lofty goals, it unfortunately fails to rise above the level of novelty.