Who would have thought that Sensaphonics, the stodgiest custom earphone maker on the planet, would go universal? I didn’t, and I bet that Sensaphonics USA probably didn’t either. Nope, the j-phonics is a 100% Japanese product; it begins and ends in the land of the rising sun. Cool as that may be, cooler still is the fact that its guts are brilliantly tooled, reminding me of the excellently balanced Prophonics 2X-s custom monitor. But, rather than coming wrapped in medicinal silicon, the j-phonics comes packed in cute, coloured polycarbonate shells, new internal laminatation, and a new low[er] price.
Feel free to discuss the j-phonics in our forums?
The t-Jays THREE is more Sennheiser than Sennheiser’s former flagship dynamic headphone, the HD650. If you like rich and smooth dark, you’ll fall in love with the t-Jays. Jays have three of them to tailor to your ear and your wallet. TMA has THREE for the skillet today. If you dig low profile, neutral, and modular, again, Jays are the only horse in town and the t-Jays THREE is quite a ride.
If Final Audio Design were in charge of the world’s marketing, everything from cars to cakes would glisten with the magicalest of molecules. The clearest timber would resonate in plastic pencils and cooking pots. Flowers would reflect the warmth of a thousand suns. Thankfully, however, Final Audio Design cook up wonderful audio equipment like the 1601 series earphone and today’s FI-BA-SB and FI-BA-A1. With these new models, Final Audio took a new approach, creating practical listening devices for the busy, but discerning audiophile.
Feel free to discuss the FI-BA-SB and FI-BA-A1 earphones in our forums. And if you’re in the mood, contact Musica Acoustics to purchase the FI-BA-SB or FI-BA-A1. Musica Acoustics also stock a lot of other very good earphones.
Sunrise’s three earbuds are a hit here at TouchMyApps, their inner earphone, the SW-Xcape, is bound to be the one to turn the most heads. Why? Well, it’s an isolating earphone, capable of dulling the sound of crying babies, loud airplane engines, and your snoring spouse. Fortunately, it also sounds very good, augmenting Sunrise’ newly-minted fun, full house sound. If you like a good, full bass and this time, a pretty focused treble, you’ll love the Xcape.
Feel free to discuss the Xcape in our forums.
Any headline from boutique audio house, Final Audio Design, is news at TouchMyApps. Recently, their first balanced armature series headphone, the Final Audio FA-BA-SS hit the market to some good reviews, but with a price around USD 1000$ and sold in very limited numbers, this flagship earphone didn’t have a chance to capture the market before selling out. The two new models, FA-BA-A1 and FA-BA-SB (ostensibly in aluminium and brass), however, are sold at the much more reasonable prices of 300$ and 400$. Final Audio look to be following Monster and Jays’ lead by introducing a flat tangle-free cable for the FA-BA-SB. A more traditional cable will adorn the FA-BA-A1 earphone.
Currently, both models are sold out across Japan, but FAD are accepting pre-orders for the next batch. If you are scared about ordering from Japan, don’t be. There are a couple of reliable options. One is Seyo Shop, an exporter of fine Japanese headphones and camera equipment. Their prices are usually excellent. Currently they don’t carry Final Audio.
Preliminary review impressions of the FA-BA-A1 are up at TMA’s Forums. For more pictures and product spec, jump the gap:
“Back when Cube was rollin’ with Lorenzo” – stolen from Dr. Dre’s What’s the Difference, is innocuous; it betrays nothing of Dre’s ego. But American rap’s pride is why after years, I keep coming back to it. And though this is a headphone review, I think that a bit of good ol’ fashioned American pride applies tastily. In 2010, the Swedish headphone guru, Jays, redesigned itself, shirking cuteness in favour of big business, of pride. One look at the newly minted a-Jays will prove to you just how much business they mean too: flat cables, matte colours, three bold designs, and good prices is enough to make any Monster shake – at least a little bit.
Earsonics have a killer lineup. Their SM3 professional universal monitor is fantastic, blowing the socks off a disgustingly large portion of the audiophile earphone market with its easy-to-drive architecture and beautiful sound. Its lofty price tag is worth it. So how about Earsonics’ top end; how ‘bout their customs? you might ask. Same old story. The triple-driver, dual-crossover EM3Pro is a beautiful product at a fantastic[er] price that should come away from a firefight with the biggest and best in the land without a hitch.
Back when Earsonics’ SM2 debuted, it rocked the professional earphone scene. Dry, neutral, detailed, powerful, and well-constfitructed (for a professional earphone), it sort of bagged the cat as it were. It was – and still is – one of the best professional earphones available. But Earsonics perfection-pursuing head, Franck Lopez, has looked to his laurels this year and debuted an even better earphone. The Earsonics SM3 betters the SM2 in almost every benchmark and along the way, has become a personal favourite of mine.
The earphone market has never been more poised. Multiple driver earphones have come down in price, build quality is on the rise, and selection is huge. But with a huge selection comes the nearly impossible task of selecting the perfect earphone. Every company has a party line, each one sounding better than the last. Then, there’s the driver war that follows the following formula: competitor’s flagship model + 1 speaker unit. The formula and good marketing surely sells earphones, but meanwhile, hapless customers have to sort through a hogwash of marketing speak. Well, cartridge-baron ortofon, commissed the clever lads and lasses from the land of the rising sun to make the e-Q7, a single balanced armature earphone that really munches on the brains and selling points of many of its multi-speaker brethren.
Feel free to discuss the ortofon e-Q7 in our forums.
2009’s party, mixed by last year’s Monster Turbine earphone, was off the charts. But in early 2010, Monster’s sophomore Turbine, the Turbine Pro Gold, took everything to higher levels. Everything the original Turbine did right: bass, mids, treble – is trumped, and each is more controlled, more readily adapted for any music you throw at it. The Turbine Pro proves that Monster are ready to pick up the cheque as the best high-volume dynamic inner earphone maker on the planet. Today’s Turbine Pro Copper review will differ only slightly from the Gold review, so I’ve copied and pasted all the ‘same’ stuff: fit, package, build quality; and I’ve re-written the sound portion as only that really differs. For your posterity (you know what I mean), however, I’ve taken shiny new photos.
If you’d like to discuss the Monster Turbine Pro Copper earphones, head to our forums.