When Cut the Rope (TMA Review) was first released in late 2010, it was simply out of this world, if only because Angry Birds finally had its hegemony challenged. And the game wasn’t all that bad either. Of course it couldn’t help but inspire competition; some have been downright clones, while others were of the more creative variety. The latter has just spawned an interesting concept, something like an anti-cut the rope in Save Yammi.
The recent reboot of the Transformers franchise left me with mixed feelings. On one hand I definitely enjoy the new look and feel of the robots themselves. On the other, while the first movie was at least half-decent, it pretty much went downhill thereafter. And what to expect from the licensed game accompanying the latest movie -TRANSFORMERS: DARK OF THE MOON – was a mystery for me.
There’s been a lot of positive buzz about Storm in a Teacup, both before and after the first time I attempted to play it. After muddling through the first 2 levels I just didn’t get the appeal of the game. Luckily I had committed to reviewing it, so I forced myself to pick it back up and move on to level 3. It didn’t take long for me to realize that this is one of the best platform games I’ve got on my device right now. I think the visuals sometimes border on amateurish, and I’ll get to the music later, but overall I am so glad I stuck with it to see what the game had to offer.
Devoid of a console for most of my life, one of the franchises I never had the chance to truly dive into was the (pardon the pun) legendary Legend of Zelda. As one of the grandfathers of the Action RPG genre, it has always been renowned for the perfect blending of Action, Adventure, light puzzle-solving and even lighter RPG elements. Considering this classic series has still not graced the App Store, it’s not much of a surprise that Gameloft has attempted to fill the void by releasing Sacred Odyssey – Rise of Ayden, a title almost bursting with a certain Z-quality.
I have to admit that I thought the X-Men arcade game came out before 1992, but apparently my memory is already starting to fail me (I thought this mainly because I didn’t think I frequented arcades so much when I was in college). Whatever the case, I played this game any chance I got, and I always longed for a nice home version – or any home version – to be released. Alas, it wasn’t meant to happen until 18 years later when the game arrived on XBLA and PSN, neither of which I had access to. Finally, however, Konami must have caught drift of how badly I wanted this game, and they released an iOS port of the arcade classic. It was so totally worth the wait.
It seems in the last few years the genre of Tower Defense has been milked for almost all it’s worth. From the traditional ports of well known Flash titles on the App Store to some quite interesting and original ones developed specifically for the platform, you can find almost anything out there. The latest addition to jump into the fray is Vampire Rush – an original blend of Hero and TD gameplays.
It seems the Gauntlet fame just can’t let some developers sleep peacefully at night and occasionally we get a title that screams for attention. Sometimes, though, these screams are more like moans, depending on the time, effort and, most importantly, thought put into development process. The Relic, being one of the latest attempts, tries and succeeds to look good on the screenshots. But how does it feel hands-on?
Despite all my parents’ warnings, I’ve always loved playing with fire. The way the flames dance fascinates me and burning stuff is always fun. Verrry fun. And thanks to BulkyPix I can now do so on-the-go on my iPhone with Burn it All – Journey to the Sun – one of the most recent and highly acclaimed additions to the casual puzzle genre on the App Store.
About a year ago, Plants vs. Zombies (TMA Review) made its way onto the App Store with much fanfare and it was highly acclaimed across the board by both critics and the general public. With its mind-boggling success, it was only a matter of time that look-alikes would popup. If anything, I’m a bit surprised that it took as long as it did. Nevertheless, regardless of how KillingZone Defense may resemble PopCap’s famous twist on the tower defense genre at first glance, it turns out to be a rather different game altogether.
At a time when home computers had less memory than the average modern video card, “sprawling” CRPGs consisted of randomly generated dungeons rendered with standard characters from your typical keyboard. The challenge came from a combination of a myriad of commands to learn and the fact that once you died your save game was deleted – there were no second chances here. The leader of the pack at one time was Rogue, hence the modern label “rogue like game”. While I still enjoy some of the concepts behind the generic dungeon crawling, I never was good at remembering all the keystrokes. That’s where modern interpretations like Sword of Fargoal come in.