While the bulk of shiggy’s headphone and earphone reviews have moved to ohm-image, expect a few good reviews to come to TMA. Shiggy’s most recent review is of Earsonic’s SM64. Earsonics are a favourite here at TMA and the SM64 seems to be the hit of the SM line. Why? Shiggy has this to say:
The SM64 delivers not only crisp mids and highs, it serves up boiling, authoritative punches that roll through most of audible spectrum. Lower mids are fast up and down. They never tangle with bass. Kudos to kick drums, bass guitar, electronic kicks, and pretty much anything with a beat from there on down. Thruma thwaaaarck! goes lower bass. Thwacka thwacka! go upper mids. Speed is king.
Timeliness – while stereotypically not very French an asset – has a pigeonhole with an SM64-shaped aperture.
Timely and taut though it is, the SM64 stops far before it ever reaches the shrill, metallic highs that has ER4 lovers all agog. Some may take issue here. Metal-tipped responses can be hugely fun. But Earsonics are a musician-oriented company; and in Earsonics 2,0, equitability takes precedence over wow.
Fans of crispy crisp crisp will probably look elsewhere for their bacon. Similarly, fans of warm fuzzies may also have to turn elsewhere. With few outliers, the SM64 sounds rather flat – and certainly crisp – at the ear.
Earsonics have a killer lineup. Their SM3 professional universal monitor is fantastic, blowing the socks off a disgustingly large portion of the audiophile earphone market with its easy-to-drive architecture and beautiful sound. Its lofty price tag is worth it. So how about Earsonics’ top end; how ‘bout their customs? you might ask. Same old story. The triple-driver, dual-crossover EM3Pro is a beautiful product at a fantastic[er] price that should come away from a firefight with the biggest and best in the land without a hitch.
Back when Earsonics’ SM2 debuted, it rocked the professional earphone scene. Dry, neutral, detailed, powerful, and well-constfitructed (for a professional earphone), it sort of bagged the cat as it were. It was – and still is – one of the best professional earphones available. But Earsonics perfection-pursuing head, Franck Lopez, has looked to his laurels this year and debuted an even better earphone. The Earsonics SM3 betters the SM2 in almost every benchmark and along the way, has become a personal favourite of mine.
Earsonics, a French producer of professional earphones, have broken into TMA with their SM2 DLX, a dual balanced armature professional in-ear stage monitor which is priced at 280 € in France, or 268€ outside the country . It both feels and performs worthy of its asking price and comes in your choice of the following three attires: black, crystal (clear), and white. Like the UM3X from Westone, Earsonics’ top-tier universal iem has been constructed to exacting standards and utilises the same cable type: a durable, non-microphonic twisted strand design which is a benchmark for cable quality. Also, like its American competitor, the SM2 is plagued by a dearth of accessories.