Earsonics have a killer lineup. Their SM3 professional universal monitor is fantastic, blowing the socks off a disgustingly large portion of the audiophile earphone market with its easy-to-drive architecture and beautiful sound. Its lofty price tag is worth it. So how about Earsonics’ top end; how ‘bout their customs? you might ask. Same old story. The triple-driver, dual-crossover EM3Pro is a beautiful product at a fantastic[er] price that should come away from a firefight with the biggest and best in the land without a hitch.
Back when Earsonics’ SM2 debuted, it rocked the professional earphone scene. Dry, neutral, detailed, powerful, and well-constfitructed (for a professional earphone), it sort of bagged the cat as it were. It was – and still is – one of the best professional earphones available. But Earsonics perfection-pursuing head, Franck Lopez, has looked to his laurels this year and debuted an even better earphone. The Earsonics SM3 betters the SM2 in almost every benchmark and along the way, has become a personal favourite of mine.
Earsonics, a French producer of professional earphones, have broken into TMA with their SM2 DLX, a dual balanced armature professional in-ear stage monitor which is priced at 280 € in France, or 268€ outside the country . It both feels and performs worthy of its asking price and comes in your choice of the following three attires: black, crystal (clear), and white. Like the UM3X from Westone, Earsonics’ top-tier universal iem has been constructed to exacting standards and utilises the same cable type: a durable, non-microphonic twisted strand design which is a benchmark for cable quality. Also, like its American competitor, the SM2 is plagued by a dearth of accessories.